Scapa Flow: Neue Interview with Rochibauld Sachse-Heutelier

Ja, this is Klemmer Hanz Schnellebaker, I have once again the opportunity to interview Herr Rôchibauld Sächse-Heûtélièr.

Schlachtflagge der kaiserlichen deutschen Marine Wikimedia Commons – According to § 5 Abs. 1 of the German Copyright law, official works like flags are gemeinfrei (in the public domain). JaWohl! Mengen Geehrteres Hääreng!

KHS: Gibt es denn viele Jahre, nichts? meng Geehrte Röchibäüld.

RSH: Jawohl! Und may I offer you Sghiaretieghlli?

KHS: Das ist ein sehr guter Tabak! What is its origin?

RSH: It is an Italian Alpine tobacco grown at exceptionally high altitude in the winter growing season. It is hand-rolled by Romansh neo-proto-Neanderthals.

KHS: Explain your current project?

RSH: It is a neues Kino about the scuttling of the Imperial Deutscher fleet at Scapa flow in 1919.

KHS: Explain its relevance?

RSH: It was the ultimate nihilist act of a defeated ‘nach dem Krieg’ Deutschland while it was awash in a passive männliche Sexuelle paralytisch emotionale Qualität der Schwächeheit Angst.

KHS: Delectable, I can almost feel the utterly hopeless, nude, Meidnerian groveling.

RSH: This film, must express the defeatist Angst of the Deustche Sailor combined with the conflicted anxiety of Kapitan von Reuter.

Hans Hermann Ludwig von Reuter Konteradmiral Kaiserliche Deutsche Marine Wikimedia Commons This image is in the public domain because its copyright has expired in the United States and all countries with a copyright protection period of 70 plus years.

KHS: But didn’t Herr Doktor Freud state rather clearly that: Wir sind tief beeindruckt, wie eng die Entwicklung der Angst mit dem Schicksal der Libido und das Unbewusste System verwoben ist. Es ist nur eine getrennte Punkt, eine Inkonsistenz in unsere Hypothese: die unbestreitbare Tatsache, dass die wirkliche Angst betrachtet werden Ausdruck das Ego Instinkt der Selbsterhaltung.

“Wir brauchen einen Dolmätscher. Bitte:”

“We are deeply impressed with how closely the evolution of fear is interwoven with the fate of the libido and the unconscious. It is merely a separate point, an inconsistency in our hypothesis: the indisputable fact that the real fear of being exposed, is rather the ego’s instinct of self-preservation.”

RSH: Precisely. It is an erotic national state of the entire Geselleschaft.

KHS: So the entire event at Scapa Flow can be attributed to national Angst of the entire Deutches community and Herr Kapitan von Reuter in essence was forced to reach the Deutscher ego in order to free the national libido from emotional Schwachheit?

Deutsche Humiliation und Ängste This work created by the United Kingdom Government is in the public domain.

RSH: Exactly. Might I add Der König rief, und alle alle kommen?

KHS: In other words Napoleon was a bastardized French proto-Italian Corsican Teufel?

Dominant Napoléon Buonaparté Triomphant 

RSH: Correct. Napoleon forced himself upon the prostrate, passive male Deutsche nation, until liberation of the Teutonic Id by the aged, withered, yet muscular and turgid Ego-driven Generalfeldmarschall Gebhard Leberecht von Blücher at Leipzig and then Waterloo.

Der beliebte General von Blücher

KHS: What will be the focus of the film?

RSH: We focus on von Reuter’s son, who is a Veteran and starving street artist in Trier. He is conflicted due to the Allies repression of his Id. Wilson and his cohorts acting as a sort of hyper-national super-ego to castrate the Deutsche psyche with a dominant, muscular Versailles Treaty. The son is torn among Socialism, Communism, National Socialism, Nihilism and Surrealist Kunstwerk.

KHS: In essence, then Admiral von Reuter acts as a new super-ego to rescue his son’s Id from Wilson’s vicious overreaching. Do you find it odd that Wilson is now seen as a virulent racist and purveyor of hate and social Angst-conflict in his own backyard so to speak?

RSH: No it is entirely unsurprising that Wilson is now seen as the demonic over-arching evil. He is almost like an evil mass-murdering birthday-performing clown hidden behind the terrifying face-paint, red wig and bulbous red fake nose of history.

KHS: Are all the actors Deutschen?

RSH: Yes, even the English (Teufels!) are played by Deutscher.

KHS: Did you mutter ‘devils’ under your breath?

RSH: Absolutely not! Unless I have lost control of my subconscious love-hate of the pale, yet tantalizingly dominant English people.

Häär Doktor Doktor Johannes Bell 🛎 forced into humiliation by jealous western powers at the signing of the evil satanic (Pronounced Wilsonian) Versailles Treaty. The author died in 1931, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 80 years or less.
This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1924.

KHS: The scene where the ships start sinking and the English are impotently trying to return from their training jaunt as the glorious Deutscher Navy sinks, it appears that von Reuter is writhing in orgiastic ecstasy, while a demonic ‘Hob’s End’ style of a giant demonic Wilson rises cinematically superimposed in the smoky sky behind the sinking ships.

Shrieking head of Demonic racist Wilson with genocidal Versailles Treaty

RSH: Precisely, the Teutonic Id is liberated by the transference to a new super-ego.

KHS: Is Wilsonian emphasis a reaction-formation with projection and transference?

RSH: Indisputably so, meinem Geehrter Herr!

KHS: Excellent Tabak!